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		<title>Heritage or Garbage? 10 Thoughts on Reclaiming Old Brands</title>
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		<pubDate>Fri, 20 Dec 2013 16:55:06 +0000</pubDate>
		<dc:creator><![CDATA[Tim Lapetino]]></dc:creator>
				<category><![CDATA[Branding]]></category>
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		<category><![CDATA[Reclaiming old brands]]></category>
		<category><![CDATA[renaming]]></category>
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		<guid isPermaLink="false">http://www.hexanine.com/zeroside/?p=2515</guid>
		<description><![CDATA[Occasionally we’re asked to partner with organizations who are looking to revive an old brand, resuscitate a product, or reclaim dormant intellectual property. Sometimes it’s for a brand new venture, or it’s a company rummaging through its archives for untapped assets. These behaviors can make a lot of sense, because typically, someone else has already [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2547" alt="Hexanine: Reclaiming Old Brands" src="http://www.hexanine.com/zeroside/wp-content/media/2013/12/blog-reclaiming-old-brands.jpg" width="545" height="326" /></p>
<p dir="ltr">Occasionally we’re asked to partner with organizations who are looking to revive an old brand, resuscitate a product, or reclaim dormant intellectual property. Sometimes it’s for a brand new venture, or it’s a company rummaging through its archives for untapped assets. These behaviors can make a lot of sense, because typically, someone else has already put money, time, and effort into making that brand a recognizable one. The math seems deceptively easy: on paper it looks simpler to breathe life into an older brand than starting with a blank canvas. Some firms have even <a href="http://www.riverwestbrands.com/%20">built their business models</a> around reviving these castoffs. But it’s not always that easy.</p>
<p><span id="more-2515"></span></p>
<p>The discard pile can be treasure or trash, and picking from this mixed bag comes with a set of concerns that shiny, newly-minted organizations don’t have to contend with. There are potential pitfalls a-plenty, but with a combination of well-deployed legacy and fresh direction, reviving an old brand can become a worthwhile endeavor.</p>
<p>Here are 10 thoughts for anyone who aims to reclaim an aging brand and reconfigure it for today’s world. These nuggets might be the difference between dumpster diving and panning for gold.</p>
<p dir="ltr"><strong>1: What drives you to drive the brand?</strong> There are many motives for reviving a dormant brand, and most of them revolve around the possibility of good ROI. This is business after all, but like Billy Joel said, you gotta have soul. If your organization merely sees that brand as intellectual property to be exploited, or are looking to squeeze the last drops of blood out of it, you might think twice. Better to bring it back to life because there is something within worth saving &#8212; passion or ideas worth mining. Is there an untapped promise or potential in that comatose brand? How does it relate to what you want to do? If you can successfully coax out that unique spark and marshal it on your behalf, the profit will eventually follow.</p>
<p dir="ltr"><strong>2: Assess your assets.</strong> Where are the valuables stored, and what exactly is your team getting when inheriting this brand? What bits of value does this brand still have? A recognizable logo? Memorable colors? Taglines or famous catchphrases? Or maybe it’s a loose association or connection to a cultural ethos? In this stage of the process, it’s important to dig deep and do the necessary research to understand what’s still valuable. Are the strengths transferable? Sometimes it’s the subtleties and nuances &#8212; echos of a brand’s mark in the world &#8212; that can hold the most lasting value.</p>
<p><strong>3: Standing for something.</strong> Whether it’s today or tomorrow, you need to ascertain the foundation &#8212; what does the brand stand for? At its apex, what intangibles and meaning did it contain? Can it represent those same things today, or does it need to embrace a new spectrum of symbolism to survive (and thrive) in the current marketplace?</p>
<p dir="ltr"><strong>4: What do all the people know?</strong> Where public-facing brands are concerned, it’s all about the audience. You might see something redeeming in that sleepy brand of coffee or stereo manufacturer’s name, but what do people out in the world think about your new treasure? How do they relate to the brand today? Good research will be able to help uncover the current feelings and associations the brand has among the people who matter.</p>
<p dir="ltr"><strong>5: Find your fan base.</strong> Do niches and segments of brand lovers still exist? One of the biggest benefits of claiming an old brand is finding the dedicated pockets of true-believers who still carry a torch for your reawakened brand. In it’s absence, they wrote, created, argued, and reminisced about the products, services, or benefits your brand once offered. Can you tap into those fans? Will those sparks turn into a towering inferno as you help mobilize these self-made evangelists?</p>
<p>These die-hards can be your best friends or your worst enemies, depending on how you play your hand. While they might be devoted to the name or cause, they will be a major headache to your team if you can’t live up to the legacy of the original name (at least as they might see it). Sometimes re-engaging with a brand’s devotees can be more arduous than building a brand new audience. Zealots come in all flavors &#8212; choruses of angels or a busloads of devils.</p>
<p><strong>6: Has time healed all wounds?</strong> Sometimes history is kind, and the rough edges or missteps of organizations get lost to time. But in other situations, one single act can turn a company name into a <a href="http://content.time.com/time/specials/packages/0,28757,2021097,00.html">hated buzzword</a>. Have the years been kind to your brand? What timely facets and associations have evaporated? History can be a helpful benchmark for what is still valuable &#8212; because sometimes cream rises to the top. What has stood the test of time? Those might be the brand assets worth preserving.</p>
<p dir="ltr"><strong>7: Evolution or death!</strong> Like sharks, stagnant brands die, regardless of how old they are. Remember that all brands need to grow and evolve, and if your brand isn’t moving forward, adapting, and morphing to fit the needs of the culture and marketplace, it’s heading backwards. And that’s how the brand got swept into the dustbin in the first place.</p>
<p><strong>8: Show me the skeletons.</strong> While it might be cheaper to build on an existing foundation, you have to do your due diligence as well. Brands are no different. Sometimes you’re also inheriting the dirty laundry and rotten floorboards in forgotten corners of the house. Will those landmines hamstring your new efforts? It’s probably best to consider if you’re equipped to deal with the imagined worst-case scenario.</p>
<p><strong>9: Grey isn’t always gold.</strong> Not all old things are worth reviving. LPs might be cool, but is anyone itching to fire up their old 8-track player? There’s a difference between momentary fashion and a brand hook that can evolve back into a sustainable business model. Sometimes that layer of dust is just irrelevancy, and the savvy marketers should be able to spot the difference through the cobwebs.</p>
<p><strong>10: Have a plan.</strong> Crafting and building brands is not like investing. Stock values move on just one axis &#8212; they can go up or down. But brands are more mercurial, and require more than just capital to refresh them. These rebuilt brands need passion, vision, and strategic planning for the future in order to grow well. Forgo the passion, and brand resurrection just becomes the mechanical act of squeezing more blood from the same stone. Think brand love will win breed success alone? Unfortunately, passion isn’t a business plan.</p>
<p dir="ltr">Without a strategy for growth, development, and communication, your brand will never evolve into what it could be. Still, when it comes to reviving a brand, true love and care for the brand will shine more brightly than a holding company’s financial stake. And brand audiences can sense true passion, because it shows itself in all touchpoints for a particular service or product.</p>
<p>When brands are reborn, often the intangibles are the only things left. Emotions, associations, and half-remembered connections are the clay that can be molded and shaped for new purposes &#8212; those of your new endeavor. The teams who can harness those spirits and weave them into provocative brand stories are the ones who will win the day.</p>
<p><strong>Some examples. The good, great, and meh:</strong></p>
<p><strong><a href="http://www.shinola.com/">Shinola</a>,</strong> watches, leather goods, and bicycles all made in Detroit. Previously makers of shoe-polish.</p>
<blockquote><p>“It would be a company steeped in the values of an older era, and the founding team wanted a name to match. ‘We didn’t want to try to invent a name that had heritage and pretend there was history behind it,’ COO Heath Carr says, so they looked for inactive brands that were on the market. They eventually came across Shinola, along with the ‘ever-so-famous saying that comes with the name,’ Carr says.”</p></blockquote>
<p>Shinola is experiencing strong sales, great buzz, and success because they&#8217;ve zealously stuck to their brand&#8217;s plan and ethos. Their leadership team also seem to have a deep understanding of how much to accentuate or downplay certain aspects of the brand&#8217;s name and heritage for the best results. Full story by <a href="http://www.fastcodesign.com/1671171/how-an-upstart-company-in-detroit-is-building-an-american-heritage-brand">Fast Company</a>.</p>
<p><strong><a href="http://www.polaroid.com/">Polaroid</a>,</strong> digital and imaging products. Previously innovators and originators of <a href="http://www.polaroidland.net/the-book/">instant film</a>.</p>
<blockquote><p>“It&#8217;s one of the famous brands, like Rolex, Nike, Coca-Cola,” Polaroid CEO Scott Hardy said. &#8220;Polaroid went through its troubles, but its asset was its brand, and now we are going through a tremendous resurgence of that brand,&#8221; he said.</p></blockquote>
<p>While Polaroid has jettisoned much of the innovative tag that surrounded the original company, the current caretakers are being judicious about their licensing model. Their choices seem well-selected to avoid hitting any sour notes that would contradict what the brand has come to stand for. Also, they get high marks for clever transference of the brand&#8217;s personality into their physical locations. More details at <a href="http://www.twincities.com/ci_22600341/">TwinCities.com</a>.</p>
<p><strong><a href="http://atari.com/">Atari</a>,</strong> pioneers of home video games and coin-operated arcade games with a meteoric rise in the 1980s. Today, current rights owners are struggling to <a href="http://www.gamasutra.com/view/news/206388/Ataris_bankruptcy_escape_plan_is_courtapproved.php">escape bankruptcy</a> and reform.</p>
<blockquote><p>“To many of us, the name Atari represents the birth of the video game industry, both in the arcades and at home—which, coincidentally, were also two separate Atari businesses. Either way, the name is synonymous with video games.”</p></blockquote>
<p>Sadly, the Atari brand is a mere shadow of what it once was under its original banner. The most recent incarnation&#8217;s leadership realized too late that merely recycling its popular properties wouldn&#8217;t be enough to sustain it as an organization. But their pre-bankruptcy move into smartphone games and apps was a promising step. The jury is still out. More at <a href="http://www.pcmag.com/article2/0,2817,2414562,00.asp">PCMag</a>.</p>
<p><strong><a href="http://www.indianmotorcycle.com/">Indian Motorcyles</a>,</strong> one-time competitors to Harley-Davidson, original company closed in the 1950s.</p>
<blockquote><p>“It’s a phenomenal American story with an entrepreneurial spirit,” said Steve Menneto, Vice President of Motorcycles at Polaris. “We wanted to bring that forward and blend it into what we’re doing with the brand. We want to show riders what we learned from Indian’s history.”</p></blockquote>
<p>An interesting brand that has a small-but-passionate audience, Indian is still young. But its focus on engineering takes a page from what the original company was known for, and fundamental focus on innovation rarely goes out of style. Whether this will be enough to make a sizable dent in the market versus Harley-Davidson remains to be seen. More at <a href="http://www.foxbusiness.com/industries/2013/07/19/indian-motorcycle-takes-aim-at-harley-davidson/">Fox Business</a>.</p>
<p>&nbsp;</p>
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		<title>Netflix = A Widescreen Brand Disaster?</title>
		<link>http://www.hexanine.com/zeroside/netflix-a-widescreen-brand-disaster/</link>
		<comments>http://www.hexanine.com/zeroside/netflix-a-widescreen-brand-disaster/#comments</comments>
		<pubDate>Sun, 30 Oct 2011 20:22:32 +0000</pubDate>
		<dc:creator><![CDATA[Tim Lapetino]]></dc:creator>
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		<category><![CDATA[wide screen disaster]]></category>

		<guid isPermaLink="false">http://www.hexanine.com/zeroside/?p=1869</guid>
		<description><![CDATA[Like a plot twist gone astray, the streaming film company, Netflix, has once again befuddled customers by reversing course with a recent brand announcement. Weeks ago, Netflix announced its intention to divide its streaming and physical mail business units into two separate entities, while simultaneously apologizing for recent price hikes. This effort was intended to [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><img src="http://www.hexanine.com/zeroside/wp-content/media/2011/10/netflix-disaster.jpg" alt="Netflix Brand Disaster" title="netflix-disaster" width="545" height="306" class="alignnone size-full wp-image-1888" /></p>
<p>Like a plot twist gone astray, the streaming film company, Netflix, has once again befuddled customers by <a href="http://blog.netflix.com/2011/10/dvds-will-be-staying-at-netflixcom.html" target="_blank">reversing course</a> with a recent brand announcement. Weeks ago, Netflix announced its intention to divide its streaming and physical mail business units into two separate entities, while simultaneously <a href="http://blog.netflix.com/2011/09/explanation-and-some-reflections.html" target="_blank">apologizing</a> for recent price hikes. This effort was intended to kick off the renamed DVD mail service, christening it <a href="http://www.qwikster.com/" target="_blank">Qwikster</a>. Apparently, public outcry and common sense won the day, as Netflix backtracked and rejiggered its plans. </p>
<p>This on-again, off-again game of brand Twister has damaged the Netflix name and its brand cache. While we can only guess at the business reasons that motivated these decisions, it’s plain to see how Netflix shot itself in the foot from a brand perspective. </p>
<p><span id="more-1869"></span></p>
<p>In some ways, the rationale behind Netflix’s merry-go-round of christening, defending, and retreating from its plans doesn’t matter. Brand identities are tightly bound up in what people think and feel about a particular brand, and most everyday customers won’t ever get to know a company’s reasoning for an initiative. They shouldn&#8217;t have to &#8212; brand decisions are made in the present, where they affect, challenge, and reflect on an organization &#8212; for better or for worse.</p>
<p>We think it’s a useful and instructive exercise to rewind the film, so to speak, and walk through some of the reasons why Netflix’s actions are the equivalent of a disaster movie, or maybe just brand mistakes, seen in high definition.</p>
<p><strong>Brand Equity Squandered</strong><br />
Netflix painstakingly built and earned its reputation as a forward-thinking, powerful content provider, employing a <a href="http://www.wired.com/wired/archive/12.10/tail.html" target="_blank">Long Tail</a> strategy to re-envision the movie rental industry. The future-forward vision of delivering films and television to users initially focused on using <a href="http://www.benjaminroyce.com/images/netflix.jpg" target="_blank">direct mail</a> as the vehicle for providing films quickly. Fast delivery, responsive customer service, and a super-optimized supply system were all strong brand attributes, and crucial to its growth. Coupled with the company’s commitment to developing better and better <a href="http://www.netflixprize.com/"target="_blank">recommendation algorithms</a>, all of these factors drove Netflix’s popularity and to a place as the leader in its sector. Cute little red envelopes became synonymous with fast service and the delight and surprise of receiving your next film in the mail. The website experience of Netflix was helpful, friendly, and user focused.</p>
<p>But changes have taken hold in the industry, with corporations moving towards streaming models of delivery, and while Netflix did it first (and arguably, best), it mis-managed the evolution of its brand. This Qwikster debacle grew out of this shift away from Netflix’s original model, and that, coupled with an earlier price hike, started pushing away many of the company’s loyal customers and fans. In surprisingly short order, Netflix began squandering many of the good feelings and past positive experiences previously associated with its brand, as users began to feel excluded and alienated from the formerly warm embrace of Netflix.</p>
<p><strong>Business-friendly, User Hostile</strong><br />
The move to focus more on streaming users makes sense, and that change is a wise one for the company. But the initial concept of the Qwikster rollout was primarily built around the needs of the business, and not users. From a user experience perspective, it seems foolish and nonsensical for a single company to force current users to navigate two distinct websites, handle user accounts separately, and degrade the user experience by providing no integration between the related sites. These are not the actions of a company focused on its customer base, and it made many of the Netflix DVD/Blu-Ray subscribers feel like second-class citizens.</p>
<p><strong>Better to Retreat Than Stand Your Ground</strong><br />
But we have to cut Netflix a little slack. Every brand has missteps. Remember the <a href="http://guy.com/a/wp-content/uploads/2011/06/apple-newton-power-on.jpg" target="_blank">Apple Newton</a>? No one is immune from screw ups, and the best and most popular brands get to make their mistakes right in the spotlight. So, a brand has to make a decision &#8212; to retrench, and fix the problems, or stand their ground and defend the decision. But we know what happened to other brands who’ve gone down this path. <a href="http://www.msnbc.msn.com/id/7209828/ns/us_news/t/it-seemed-good-idea-time/#.Tq7qnd4r2dA" target="_blank">New Coke</a>? <a href="http://adage.com/article/news/tropicana-line-s-sales-plunge-20-post-rebranding/135735/" target="_blank">Tropicana rebranding</a>? The <a href="http://www.hexanine.com/zeroside/a-gap-in-understanding/" target="_blank">Gap logo</a>? You can circle the wagons, but eventually consumer-facing brands need to kneel before their customers and offer the mea culpa. The above brands survived after all the hoopla, and the name of the game is moving forward after a mistake.</p>
<p><strong>But Who Drives This Train?</strong><br />
Of course, this seems to suggest a dangerous precedent. How willing are companies and organizations to hold the line when a seemingly unpopular decision promises to lead to better places tomorrow? Good PR can’t always serve as the indicator for whether a decision is correct or not. Often, the issue is not the actual decision itself, but how it is communicated to the target audiences and public at large. But even if communication is pitch-perfect and completely on-brand, bad things still happen to good brands. Sometimes a temporary black eye is the cost of visionary leadership.</p>
<p><strong>Still Wondering</strong><br />
All that being said, Netflix’s handling of the scenario was odd &#8212; with strange communications, then an out-of-the-blue reversal. The company’s delivery was odd, which caused many to speculate that this rebranding was setting up its mail delivery component to be spun off completely, in anticipating of selling it off to another entity. Perhaps Netflix wanted to distance itself from soon-to-be-obsolete technology, maintaining its technology-forward brand image. Or possibly, the company wanted to jettison the extra baggage of hard costs and labor of mail service, as it seeks to become the premier content partner for streaming devices and online.</p>
<p>In the end, we don’t know. But we do know that Netflix could have done a few things to avoid these pitfalls. Here are a few brief thoughts that might serve as a good reminder:</p>
<p><strong><em>Keep users first.</em></strong> There is always a fine line between decisions that make good business sense, and those that are good for users. Sometimes sacrifices have to be made. But when in doubt, the more profitable decisions (in the long term) will always be for the good of customers.</p>
<p><strong><em>It’s all about tone.</em></strong> How an organization communicates hard truths (like a price hike) is almost as important as the content of the actual message. Honesty, sincerity, and a clear message about why a decision will eventually benefit an audience will go much further than a strange, pseudo-apology. Directness, transparency, and consistency are the keys.</p>
<p><strong><em>Don’t underestimate the value of a good name.</em></strong> Netflix almost threw away millions of dollars of brand equity by renaming part of their service. Forget the fact that the name was poorly-conceived (I <em>still</em> can’t spell it correctly!). Any change was a poor one, if it wasn’t going to utilize the goodwill, recognition, and singular awareness of a little red DVD envelope. When your organization spends years, millions of dollars in advertising, and the hard work of building a brand people can trust, renaming must be done with the most sober of mind, if it needs to be done at all.</p>
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