Archive for the ‘Tool Tip’ Category

Color My World: A Designer’s Guide To Pantone, Part 1

Wednesday, July 21st, 2010

Color My World: A Designer's Guide To Pantone Part 1: Goe

What is Pantone?
If you’ve ever held color-printed piece in your hands, there’s a good chance you’ve been touched by Pantone. The self-described “authority on color”, Pantone has become an integral part of graphic design and printing, greatly influencing the color of our world. Since 1963, Pantone has been the force behind the printing industry’s color standard, the Pantone Matching System (PMS). PMS is a standardized color reproduction system whereby different manufacturers and printers can accurately reproduce the same set of colors without direct contact with one another. This is significant for brands, because of the importance that consistent color reproduction has on brand identity and packaging. Color plays such a crucial role in brand association that some companies even commission their own colors. (Tiffany’s, well-known for its signature teal blue, actually has its own custom, trademarked Pantone color, PMS 1837.)

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Zombie Brands Part 2: Five signs of a Zombie Brand

Thursday, October 29th, 2009

This is the second of two parts on Zombie Brand. If you haven’t, check out yesterday’s Part 1.

While it’s impossible to hard-wire the possibility for resurrection into a brand or product, there are lessons to be learned from the best Undead Brands. So, let’s do a brand autopsy of Atari to discover the signs that might have led to its second and third lives. These characteristics are also good checklists for new, growing companies, as well as those looking for some supernatural longevity.

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Lie #1: Great ideas always die a slow death in the approval process.

Thursday, October 22nd, 2009

(This is part of an ongoing series of posts, “50 Lies About Clients”, revealing the truth behind some of the sacred cows designers and marketers hold dear. )

Shepherd your ideas through the approval process

Originally, I had titled this post “Protect your ideas through the approval process”. And with that, I unintentionally revealed a tension designers and marketers face when working alongside clients. Underneath the talk of strategic partnerships and client service, many of us still harbor an “us versus them” mentality. We walk into presentations skeptically trying to figure out how the client will mess with our babies, our beautiful designs and airtight concepts.

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How to communicate when working remotely

Wednesday, October 14th, 2009

Several years ago, pundits said that soon “everyone” would be working from home or remotely. Supposedly, the traditional office was nearing extinction. Well, that hasn’t really happened, but there are plenty of times when remote working arrangements make sense. At Hexanine, we have offices in Chicago and L.A, so we deal with this reality on a daily basis. Having multiple locations is a big benefit for us, with a variety of markets, differing pools of talent, client diversity, etc. Existing in different places means that communicating via phone/chat/email/Skype becomes the standard of interaction. Unless you’re intentional about it, this way of working can be a struggle. Even if this sort of communication suits you well, it still presents hurdles to communication that wouldn’t exist in a typical physical office. We manage the process pretty well, I believe–but this article on Freelance Switch had some great nuggets for us to remember. Also, these are great thoughts for anyone considering this sort of working arrangement.

My favorites:

6. Don’t Pretend to Understand
If you miss something your client said on the phone, or you don’t really understand what they are saying, don’t pretend that you do. If you get lost, say “Sorry, I didn’t get that. What are you saying?” Pretending that you understand when you don’t will usually only lead to greater confusion, and it will be more embarrassing to admit it down the track.

13. Set Out Your Email Replies Like a Conversation
When replying to a long email, or an email that addresses various points, set out your reply like a conversation. Quote each of the writer’s points one by one, with your own response after each point. This makes your reply easier to follow, and your answers to different issues won’t be confused. Don’t quote irrelevant parts of the original email, just the issues you are responding to.

So, what are your experiences in working remotely?

Tips for printing on colored paper stock

Thursday, October 1st, 2009

Your printing budgets might still be shrinking in these uncertain economic times, so the answer for the enterprising designer is to do more with less. Use that production knowledge to give your piece the impact it needs while working within the monetary constraints. Can’t spring for a 4-color run or extra spot colors on this job? Here are some good thoughts in how to utilize colored paper stocks for good effect.