Color My World: A Designer’s Guide To Pantone, Part 2

Color My World: A Designer's Guide To Pantone Part 2: Plus

Note: In our last installment we walked through the release of Pantone’s Goe system, and the lessons learned from that product’s lackluster launch. Those insights fed directly into changes to the Pantone Matching System (PMS) that culminated in this year’s launch of Pantone Plus. Now, we’ll dig into the details of the this brand new system, and what it means for designers, printers, and anyone else involved in laying ink on paper.

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Color My World: A Designer’s Guide To Pantone, Part 1

Color My World: A Designer's Guide To Pantone Part 1: Goe

What is Pantone?
If you’ve ever held color-printed piece in your hands, there’s a good chance you’ve been touched by Pantone. The self-described “authority on color”, Pantone has become an integral part of graphic design and printing, greatly influencing the color of our world. Since 1963, Pantone has been the force behind the printing industry’s color standard, the Pantone Matching System (PMS). PMS is a standardized color reproduction system whereby different manufacturers and printers can accurately reproduce the same set of colors without direct contact with one another. This is significant for brands, because of the importance that consistent color reproduction has on brand identity and packaging. Color plays such a crucial role in brand association that some companies even commission their own colors. (Tiffany’s, well-known for its signature teal blue, actually has its own custom, trademarked Pantone color, PMS 1837.)

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