The Most Recognized Advertising Campaign Song of All-Time?

While this season’s Lexus December to Remember holiday campaign is being panned, ridiculed, and parodied, we took notice on the astonishing long-term brand ramifications of it all.

Team One, a unit of Saatchi & Saatchi, created the commercials, in which an unsuspecting husband or wife is confronted by the Lexus December to Remember jingle (you’d know it if you heard it), while their partner watches and waits in gleeful anticipation. The delivery method varies from spot to spot (a rock-band themed video game, a crystal music box, and oddly, elevator music), but the hook remains the same — slowly, the gift receiver recognizes the music (as does the viewer) and realizes they’re about to receive a $30–80,000 present. The big reveal is the couple walking towards a brand new Lexus, as always, topped with a big, red bow.

The messy societal issues of such a campaign aside, the ads are a brilliant example of how short-term brand coherence can pay off in the long run, in surprising and unexpected ways.

Lexus first began using the jingle, a shortened version of songwriter Steve Kujala’s “Family and Friends,” for the local Los Angeles market in 1999, taking it, and December to Remember, national in 2001. Year after year, come November, Team One and Lexus returned to the jingle, and now, 13 years later, it’s built up massive amounts of brand equity.

13 years is an eternity in the advertising world, and most jingles — even those supporting entire global brands — don’t have a shelf life half that long. Here we have a single seasonal campaign whose theme music has become so recognizable, that it itself can act as a playful hook supporting an entire campaign, almost singlehandedly.

It’s these kind of results that show why brand equity is so important, and why sticking to your branding year after year can yield unexpected — and invaluable — results. No amount of money could have bought Lexus that kind of consumer recognition in a year, or even two. In branding, just like cooking, time itself is an essential component that can’t be replaced.

So what do you think? Are there other seasonal campaign jingles that can hold a candle to Lexus’ December to Remember? Let us know by leaving your thoughts in the comments below.

Be a Brand for Halloween

Halloween is a hoot — let’s just get that out of the way. But for a seemingly-superficial holiday (dress up and get candy/get drunk), there’s quite a bit going on behind the scenes culturally. And for those of us in the branding world, that’s even more intriguing than the sweets (though less delicious).

This Halloween, we’ve noted the increasing trend for Trick-or-Treaters and Halloween partygoers to forego the traditional fun and/or scary character costumes, and don brand-specific consumer product attire for their once-a-year holiday getups. More and more Xbox consoles, Hershey Bars, Facebook pages, iPhones, and Schlitz beer bottles are sprouting arms and legs each year.

Read on…

Skittles: Taste the Brand Book

Skittles Brand Book Cover

Brand books are awesome. As proof, we submit the Skittles brand book created by TBWA.

This strange and inspirational manifesto crystalizes the personality of a brand whose average consumer is “12–17 years old,” “wears large hats and other popular clothing,” and “fears long-limbed animals, such as giraffes.”

Sadly, TBWA recently lost the Skittles account, but not before producing some of the most memorable oddvertising the world has ever known.

More images after the jump.

Read on…

Join us at the SUPER iam8bit art show!

After nearly two years in hiatus, the iam8bit art show is back, with a high-profile gallery opening next Thursday, August 11th! This show will be one for the ages, and definitely worth checking out. Started by our friends at iam8bit in 2005, the art show has featured hundreds of artists’ interpretations of their favorite 1980s video game heroes, heroines, villains, and damsels in distress — and this show should be the best yet.

Peep the awesome poster art above, created by our buddy Dave Crosland.

Also, the new iam8bit book, which we designed and co-published, will be officially released at the show.

Take a look for more info on the opening, and the evening’s festivities, which will include all-night ambiance by DJ R-Rated. Both Jason and Tim will be in attendance, so come down and join us for the festivities!

Presenting SUPER iam8bit: More Art Inspired by Classic Video Games of the ’80s

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Video games are no longer a niche market. They’re big business, having long-since eclipsed Hollywood blockbusters in revenue. Culturally, we’ve grown used to video game franchises with their own storylines, plots, and characters — a complex web of merchandising, marketing, and gameplay.

It’s easy to forget that these paths were forged by a cast of simple, clever little characters of ’80s videogames. Their screen time may have been short, but Pac-Man, Q*Bert, Mario, and many other characters were bursting with personality, fun, and an ethos that we wanted to capture in the book, SUPER iam8bit: More Art Inspired By Classic Video Games of the ’80s. With our client-partners and co-publishers, iam8bit, we designed the entire volume, helped curate the mass of excellent artwork, and launched our creative imprint, Plastic Highway.

For more details about this project, power up to our iam8bit portfolio page.

And if that’s not enough ’80s video game goodness for you, be sure to check out iam8bit’s 5th art show in Los Angeles, where the book will be officially released and available for sale.

10 Snowflake-Inspired Logos

We’re squarely into 2011, and as we contemplate the year gone by, we thought it’d be appropriate to share some inspiration based on the weather. So, here’s a post to keep you warm at night as winter marches on: 10 great snowflake-inspired logos.

1960 Winter Olympics logo

Squaw Valley 1960 Winter Olympics

Read on…

The Group Typeface Experiment

Last week AIGA Los Angeles hosted The Group Typeface Experiment at TypeCon2010: Babel here in LA. During an unscripted hour of collaborative design, attendees were given the opportunity to create a typeface on the spot using nothing but square and triangle stickers.

I had the pleasure of concepting the event, and the honor of helping produce it, along with numerous other intrepid AIGA LA members including the incredi-awesome Heather Parlato, whose design blog is regular reading here at Hexanine.

We were pretty pleased with the results, revealed here in the video above, filmed and produced on-the-spot by our friends at i am 8-bit (we’re looking at you Taylor Ragsdale). Watch away!

Consumers as explorers, and the importance of brand discovery

As the recent Tropicana packaging redesign fiasco shows, our perceptions of the products we choose are often made up of much more than the items themselves. But where do these brand perceptions come from, and how are they made? If designers are brand anthropologists, as Erin recently touched on, then consumers should be considered explorers, traversing shelf and window in search of that perfect bottle of tea or pair of shoes. And as in person-to-person interaction, in the branding world, first impressions are everything.

Read on…

Jul 9 2010

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Helping &s for Haiti

Hexanine Ampersand featured in Font Aid IV: Coming Together

Last month we spread the word regarding Font Aid IV: Coming Together, a typeface consisting solely of ampersands. This week, SOTA officially released the font, and we’re proud to be able to say that we’re included.

More than 400 designers from 37 countries contributed to Coming Together, and we’re excited to be involved. We submitted two ampersands, both of which are included in the typeface, (one features the Haitian flag, another, just a plain flag).

Coming Together is an OpenType font and is being sold for $20 US. It’s available through Ascender Fonts, Veer, FontShop, and MyFonts. All proceeds from the sale of the typeface will go to Doctors Without Borders, to help with their relief efforts in Haiti.

Feb 17 2010

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